All Soviet Montage Cinema

Soviet silent films of the 1920s built on montage, the editing theory in which meaning arises from the collision of shots, including Sergei Eisenstein's Battleship Potemkin, Strike and October, Vsevolod Pudovkin's Storm Over Asia and Alexander Dovzhenko's Earth. A work belongs here when its article calls it a Soviet silent film. Works are placed by what their cited article states about their country, form and period, and each work sits in exactly one group of this subcategory, so a film that fits two traditions goes where its article places it first.